Brandon Pence

Award Winning, Internationally published Digital Artist

07.06.2011

Q&A Session: Part 3

What music (if any) do you listen to when you create art? 

It depends on my mood at the time. The music doesn’t really effect the art directly; I have made some of my darkest work listening to techno or something light. I would say some consistant albums on my playlist while working on art are:

  • Stars – The Five Ghosts
  • Stars – Up in our Bedroom, After the War
  • Stars – Heart
  • Stars – Set Yourself on Fire
  • Los Campesinos! – We Are Beautiful, We Are Doomed
  • Los Campesinos! – Romance is Boring
  • Broken Bells – Broken Bells
  • David Bowie – Low
  • David Bowie – Heathen
  • David Bowie – Reality
  • David Bowie – Earthling
  • David Bowie – Hours

What inspires you the most for your art? movies? books? advertisements? people?

I would say the majority of my inspiration comes from my life. I think a lot of my art is me expressing emotions that I need to get out; whether positive or negative.

However out of the above, I would say people/art as a combination. More specifically: music. I hardly ever look at art work; in fact, I intentionally try to avoid it. I want my ideas to be 100% my own without question so I try not to look at other art. I do enjoy a few artists though… Sagmeister, Ranum, etc.

Would you ever do an artwork focused around a dragon? that’d be awesome!

Probably not, honestly. The “fantasy” genre of artwork doesn’t interest me much. Dragons, faeries, vampires, etc. are incredibly one dimensional to me. I have made a few vampire pieces, usually as a request. The closest thing I will likely come to this type of art is the Alice in Wonderland pics I did.

However… who knows what the future holds…

How much planning goes into your work? Do you tend to fly by the seat of your pants, think everything through in detail, or something in between?

I try not to plan anything. Planning a piece always leads to disappointment for me. It’s never as good as I wanted it to be. I typically wake up, get some breakfast and coffee and then sit down and focus on a single emotion. This emotion could be powered by a recent event in my life and then once I have the emotion, I focus on how that makes me feel and I start working. When I am firing on all cylinders with a single emotion, things will talk to me. A certain picture will stand out to me. I could have seen it 500 times before and ignored it but this time, it’s the one. Emotion changes the human perception greatly so I let it fuel my art.

Do you answer the questions or just collect them?

What do you think?

When did you decide you wanted to be an artist?

I’m not sure I ever conciously decided to be an artist. I know at one point when I was around 17, I became much more interested in using photoshop as a tool for self expression. At some point I decided to make that my living, but I’m not sure I, at any point, decided to be an artist.

As a kid I wanted to be an animator at Disney. Perhaps it’s something that has always been with me. However as most people know, I think the term “artist” is bullshit and meaningless…

Where did you grow up at?

I grew up in Niceville, Florida. Bluewater Bay to be specific. Back then there was absolutely nothing in Bluewater Bay, so my friend Clayton and I would spend every day finding new ways to tear the world apart.

24.05.2011

Welcome to RealFlow

Lately I have been experimenting with new art techniques for my work. I am constantly changing, improving and altering my technique. My fans and friends have said that you can always tell which pieces are mine, no matter the style, so I really appreciate that. I tend to go into extremes with my style; I will think of something, accomplish it, do it a lot, and then move on. You can see this in my work, for example:

  • First experimenting with incorporating vector art into the raster art.
  • Making girls out of light
  • Making floral shapes with weird textures (paper, concrete, etc)
  • Making girls out of shapes

I typically learn the style, apply it to an extreme, and then subtly use it from then on. I do this constantly with my art.

So lately I have been adding a rather extreme new element to my art: realistic 3D liquids.

I have always loved the way liquid looked when it splashed and I decided to find a way to do that with my art. There were several ways to do it initially; one involving setting up a camera, glass, lights, etc. and taking real photos… but why do that if I can render them in high resolution, and even have them alpha masked?

I started doing research and remembered a program my boss, Kevin Almodovar had found called RealFlow. I took a look at it and decided it would work perfectly. So… I set out to learn it!…

…then promptly realized there are virtually no tutorials for it out there… LYNDA.COM! YOU HATH FAILED ME!…

…then I set out to try and learn it…

Below are the results of my experiments. I’m very happy with the results and I hope you enjoy seeing these things used in future art of mine.




I recorded this on my cell phone this past weekend. I don’t remember recording it, but here it is.

It has come to my attention lately that there are 2 distinct types of people: the people that wake up Monday mornings feeling refreshed, looking forward to the week.

Then there are different people.

People that wake up and open the door and are immediatly repelled by the sunlight and amazed that the sun is even still there; that it even bothered to show up for work today. People that spend the weekends in the dark exploring the inner most regions of their mind with bottles in both hands while some esoteric music plays in the background… the soundtrack for the spiral is a loud one…

They’re not out drinking. They’re not out partying. They’re different.

They’re beasts.

Beasts that feed on the terror of the dark and dangerous human mind. Going there alone… is madness.