Brandon Pence

Award Winning, Internationally published Digital Artist

brandon pence and sascha konietzko

KMFDM.

KMFDM is my favorite band and has remained my favorite band for about 18 years now. KMFDM has always been exactly what I love about music… they manage to combine everything sonically that I love about music into one sound.

I seriously cannot express with words how much I love their music…

Basically everytime I hear KMFDM… I fall in love with them all over again.

I will spare my obsession with KMFDM collectibles (just look at any photo of me taken since the early 90s and you have a good chance to see me in a KMFDM shirt.. fuck, my SENIOR HIGH SCHOOL PICTURES were taken in a KMFDM shirt!) but the band means a lot to me.

When I was 17 I decided to get a KMFDM tattoo. I contacted their agent for the high-res “Symbols” artwork and he told me he would try and get it. I still remember my heart dropping when I got an email not addressed from the manager, but addressed from “Kapt’n K.” I remember it sinking even further when the file he sent wouldn’t open on my computer… I panicked. Do I ask again? What’s protocol here?! AM I ALLOWED TO TALK TO KAPTAIN K!?! AM I WORTHY!?!?!?!!

I managed to reply and he was incredibly polite and helped me out… thanks again, Kapt’n…

Fast forward a few years… when I first got some exposure from my art I was interviewed and I was asked my idols… I listed 3 names: David Bowie, John Lydon and Sascha Konietzko.

I’m not sure why I asked him. I don’t know what I was thinking… but the other day I emailed him again but this time asking if he was open to an interview. He responded quite simply… “Bring it!”

This is my interview with one of my idols and inspirations… the man, the father of industrial rock, the founder and leader of KMFDM, the man known as “Kaptain K,” Sascha Konietzko!


Brandon: What is art?
Kapt’n K: It’s the secret ingredient that elevates all kinds of stuff we consume, from basic to special.

Brandon: What is an artist?
Kapt’n K: Somebody that is able to frequently produce said ingredient.

Brandon: What do you think of “digital” art?
Kapt’n K: Analog, digital… just different platforms on which art can be created.

Brandon: What is your definition of success?
Kapt’n K: A lot of stuff comes to mind, of course. For me, success means that I can afford to live my life the way I want to, that I can live off of what I love to do the most.

Brandon: Have you recorded a song that you would call “perfect?”
Kapt’n K: D.I.Y., KRANK, WWIII, MEGALOMANIAC, LOOKING FOR STRANGE, TOHUVABOHU, REBELS IN KONTROL, HAU RUCK and some others. Sure, some of the older ones mentioned could benefit from a revisit in terms of sonic beefing-up nowadays, but that’s a different story.

Brandon: What’s the hardest decision you’ve ever had to make regarding your music?
Kapt’n K: Turning down the promise of making a shit-load of money, because I didn’t believe in the BS. But really, the hardest part was defending my decision ;-)

Brandon: What’s the most valuable lesson you have learned in your life regarding your art/music?
Kapt’n K: If you want to be true to yourself, if you value your own integrity, it may be necessary from time to time to make decisions that others will call ‘stupid’, ‘counter-productive’ and ‘not-business-savvy’.

Brandon: Do you believe censorship is ever necessary?
Kapt’n K: Yes, for instance when it comes to child-pornography, or broadly speaking, the exploitation of the ones that can’t protect themselves.

Brandon: If you could change one thing about yourself, what would it be?
Kapt’n K: I’d be more careful of who I let have a glimpse of how I really tick.

Brandon: Do you have any plans to work with Tim Skold in the near future?
Kapt’n K: No.

Brandon: Do you have any plans to work with En Esch or Raymond Watts in the near future?
Kapt’n K: Definitely no, whether near future or distant future… No.

Brandon: While we’re on that, what are your thoughts on Slick Idiot performing “A Drug Against War” but changing the chorus to “Slick Idiot is a drug against war”?
Kapt’n K: I heard about that a few times, WTF?!
Can’t they write good songs for themselves? Do they have to play cover-versions to shine?
I guess these guys have nothing going on in their lives anymore, that’s probably why they still refer to themselves as one-time members of KMFDM. Sad.

Brandon: Who would you say has been the most significant contributor to KMFDM (other than yourself)?
Kapt’n K: Lucia Cifarelli has really made a huge mark on the band, being the frontwoman since 2001. I always wanted a strong female bandmember but hadn’t found anyone fitting before I met Lucia.

Brandon: Would you consider KMFDM an anti-religious band?
Kapt’n K: Religion is the root of all ‘evil’, no pun intended. KMFDM is definitely outspoken against all kinds of fascism, including religious fascism.
Fascism: a tendency toward or actual exercise of strong autocratic or dictatorial control.

Brandon: Do you believe in God?
Kapt’n K: No.

Brandon: What do you consider your religion?
Kapt’n K: None. I do not believe in supreme beings. I am a darwinist ;-)

Brandon: KMFDM has always had a lot of drug references in their songs (typically referring to KMFDM as a drug); do you do drugs? What do you think of the drug laws of the United States?
Kapt’n K: I do not do drugs. I used to when I was much younger. It’s a waste of time. The US war against drugs is ridiculous. The fact that tens-of-thousands of US citizens are kept in prison for marijuana possession etc. is completely counter-productive. Legalize the stuff, tax it and do quality control in return. Take the big money out of the trade and make it flow into the states’ pockets!

Brandon: The porn star Sascha Grey has said she named herself after you. What are your thoughts on that?
Kapt’n K: She sure ain’t the only pet named after me ;-)

Brandon: What thoughts or memories do you have of recording the song, “Stray Bullet”? What do you think of it now? Did the Columbine shootings effect your opinion of the song in any way?
Kapt’n K: It’s not like it’s a very special or even ‘good’ song, in my book. It started out as great little idea, but then lacked in the instrumentation / production process.

During the Columbine mass-media witchhunt I realized that those so-called journalists which kept quoting the title of the song over and over, could’nt even get themselves to read the actual lyrics. The second line in the chorus, obviously, is: “From the barrel of love” !

Brandon: Has Stray Bullet ever been performed live?
Kapt’n K: I am not sure, but off the top of my head i want to say yes, it has. That would ‘ve been during the ’97 Symbols tour.
(Just checked, the answer is: yes)

Brandon: What are your thoughts on President Obama announcing the death of Osama Bin Laden? What do you feel the result of this will be?
Kapt’n K: Good for him, to be sure. He really needed a break. It is, however, a fragile one. Ten years too late; and those ten years of failed US politics will not ever come back to be “fixed”. The way I see it is, that Bin Laden was not really an operative force anymore, merely a figurehead, a mentor in spirit to the upcoming generations of would-be-djihadists. I wonder if not many Americans feel somehow “cheated” by the fact that they didn’t catch him alive, or that they dumped his supposed body into the sea.

On one hand, had he been put in front of an international court of law, or a US court for that matter, it would have taken ages to get him sentenced. On the other hand, (and I am no fan of US practices in regards to Guantanamo, kangaroo-courts, military tribunals, the whole clandestine operations mess, etc.), it could have been very effective to have him alive. Imagination could run wild…

But in closing I say: Bin Laden captured alive would have sparked, among his followers, a reaction along the lines of: let’s free him.

A dead Bin Laden let’s the myth fall apart.

Brandon: How important do you feel BRUTE’s artwork has been to KMFDM? Have you ever considered of going with different artists?
Kapt’n K: Even though I never actually came to a point where I “decided” to make BRUTE!’s art an ongoing thing, I did get in touch with him time and time again when it came to artwork. His art has become an important part of KMFDM’s brand identity.
At some point back in 1994 we lost sight for a while, so I asked Bill Rieflin’s wife, an accomplished Seattle-based artist, Francesca Sundsten, to do a piece, which then became the art for the NIHIL album, one of the few “real” breaks in the otherwise consistent timeline of KMFDM’s visual continuity. That created quite some uproar in the fan-kommunity at the time. The only other cover that wasn’t done by BRUTE! was the art for the RETRO release, and there were some purely graphic-based covers, for instance , EXTRA , Vol. 1-3.

Brandon: Where is Zyclor?!
Kapt’n K: Last I heard, he lives in a barn in Mill Valley, CA, just outside of San Fran. His ‘papa’, Michael Steffe, the guy who made him is living in Thailand, or at least, that was the last time I heard from him about a year or so ago. Apparently Zyclor learned how to walk a few years back, but right now he’s quite literally, just hanging out.

Brandon: Last question… what inspires you?
Kapt’n K: That’s difficult to answer, really.

Inspiration comes and goes, it’s hard to put a finger on it and say: this inspires me.

There are days when I don’t feel it at all, that’s when I do chores, clean up the studio, etc…

Then maybe I stumble upon something… an old box I haven’t opened for years. Inside it I may find something that makes me say ‘wow’, turn on the studio and get going. 2 hours later I may find myself reeling with urgency, working away on a new tiny spark.

On the other hand though, things like 9/11 aren’t very inspiring… quite the opposite. Traumatic experiences leave me in a catatonic state for a while, unable to filter thru my thoughts and emotions, barely able to get up in the mornings…

Overall, inspiration happens mostly in small doses, a line you read in a paper or a book, then, next day a conversation you have, then, next day a fleeting thought, all adds up, all trickles down to an idea that’s composed of many facets.

Brandon: Thank you for your time.
Kapt’n K: My pleasure.


Thanks again for your time, Kapt’n. It was an absolute pleasure and I hope we can talk again in the future.

Be sure to check out KMFDM’s new album “WTF?!” available from http://www.kmfdm.com. It’s a seriously great album and I can’t recommend it highly enough. It’s a fuckin’ takeover! Come on and go off!

kmfdm wtf ok ztein ok

I have my copy. GO GET YOURS!

This is their newest single, “KRANK!” from the new album “WTF?!.” Be sure to give it a listen!


This is Brandon Pence and Sascha “Kapt’n K” Konietzko, signing off. Until next time…

19.01.2011

I Know You…

This is an excerpt from one of Henry Rollins’ books and performances. It has always hit home with me so I thought I would share.

I know you
You were too short
You had bad skin
You couldn’t talk to them very well
Words didn’t seem to work
They lied when they came out of your mouth

You tried so hard to understand them
You wanted to be part of what was happening
You saw them having fun
And it seemed like such a mystery
Almost magic

Made you think that there was something wrong with you
You’d look in the mirror and try to find it
You thought that you were ugly
And that everyone was looking at you

So you learned to be invisible
To look down
To avoid conversation

The hours, days, weekends
Ah, the weekend nights alone
Where were you?
In the basement?
In the attic?
In your room?
Working some job – just to have something to do.
Just to have a place to put yourself
Just to have a way to get away from them
A chance to get away from the ones that made you feel
so strange and ill at ease inside yourself

Did you ever get invited to one of their parties?
You sat and wondered if you would go or not
For hours you imagined the scenarios that might transpire
They would laugh at you
If you would know what to do
If you’d have the right things on
If they would notice that you came from a different planet

Did you get all brave in your thoughts?
Like you going to be able to go in there and deal with it
and have a great time.
Did you think that you might be the life of the party?
That all these people were gonna talk to you and you
would find out that you were wrong?
That you had a lot of friends and you weren’t so
strange after all?

Did you end up going?
Did they mess with you?
Did they single you out?
Did you find out that you were invited because they
thought you were so weird?

Yeah, I think I know you
You spent a lot of time full of hate
A hate that was pure sunshine
A hate that saw for miles
A hate that kept you up at night
A hate that filled your every waking moment
A hate that carried you for a long time

Yes, I think I know you
You couldn’t figure out what they saw in the way they lived

Home was not home
Your room was home
A corner was home
The place they weren’t, that was home

I know you

You’re sensitive and you hide it because you fear
getting stepped on one more time
It seems that when you show a part of yourself that is
the least bit vulnerable someone takes advantage of you
One of them steps on you

They mistake kindliness for weakness
But you know the difference
You’ve been the brunt of their weakness for years
And strength is something you know a bit about because
you had to be strong to keep yourself alive

You know yourself very well now
And you don’t trust people
You know them too well

You try to find that special person
Someone you can be with
Someone you can touch
Someone you can talk to
Someone you don’t feel so strange around
And you find that they don’t really exist
You feel closer to people on movie screens

Yeah, I think I know you
You spend a lot of time daydreaming
And people have made comment to that effect
Telling you that you’re self involved, and self centred

But they don’t know, do they?
About the long night shifts alone
About the years of keeping yourself company
All the nights you wrapped your arms around yourself
so you could imagine someone holding you
The hours of indecision, self doubt
The intense depression
The blinding hate
The rage that made you stagger
The devastation of rejection

Well, maybe they do know
But if they do, they sure do a good job of hiding it
It astounds you how they can be so smooth
How they seem to pass through life as if life itself
was some divine gift
And it infuriates you to watch yourself with your
apparent skill at finding every way possible to screw it up

For you life is a long trip
Terrifying and wonderful
Birds sing to you at night
The rain and the sun the changing seasons are true friends
Solitude is a hard won ally, faithful and patient

Yeah, I think I know you